Skip to main content

Thursday May 7. Mouthier-Haute-St-Pierre. 13.8 km.

 I spent a slow morning in Ornans, a lovely small town on the Loue river, surrounded by high hills with rocky promontories. 


The early nineteenth century painter Gustave Courbet was born here, grew up here, and returned frequently during his lifetime.  It makes excellent sense to have a Courbet museum here, much more sense than the Victor Hugo museum in Besançon  (Hugo was born there but his parents moved away when he was all of six weeks old) or the Diderot museum in Langres (Diderot spent his childhood here but left as soon as he could, in his early teens, and came back as seldom as humanly possible).  

One of Courbet’s first paintings, Ornans.  Right from his early teens, Courbet painted what he saw, in contrast to the popular romantic school of artists who painted with imagination, heightening emotion. Courbet was a great walker all his life.


A much later Ornans painting. Nearing the end of his life, in poorish health and just out of prison (Courbet was imprisoned for his role in the short-lived but heroic Commune), it is speculated that he probably was seeking solace in the peaceful landscapes of his home that he knew so well.


Eventually I got back on the Via.  A lovely walk along the Loue river with a climb at the end to get up to some villages. Here is the view from where I had a picnic lunch.  The cows haven’t changed much since Courbet’s time!



As the path starts to climb, villages are starting to look like mountain settlements.  Cows are starting to wear bells.


Here is the pilgrim gîte where I’m spending the night. The owners both teach; their observations about their profession, their students, the curriculum sound very similar to ones I have heard from teachers at home. A comfortable room, a nice dinner and breakfast with the family, and horrible internet.





Comments

  1. Beautiful countryside, but how do the people live without instant and constant 24-hour speedy access to the internet? 😂 That Pièta in the niche of the gite is quite something. Are most gites marked with religious statues or symbols?

    ReplyDelete

Post a Comment

Popular posts from this blog

Sat Oct 4. London.

19 days walking on pilgrimage paths for a total of 395 km or 245 miles on foot (not that arduous - an average of 20.7 km per day, and lots of ‘rest days’ staying put in one place).  All of that undone in 1.5 hours on a Eurostar train.  I’m not entirely sure what conclusion I’m drawing from that comparison, but I’m back where I started, in London.   On my way to my lodgings (I’m staying in a Buddhist retreat centre) I decided to visit the first visitable place to cross my path, which turned out to be the Foundling Museum.  Horrified by the sight of infants being abandoned on 18th c London streets, a prosperous seaman, Thomas Coram, spent 17 years raising awareness and funds, as well as obtaining royal permission to build London’s first children’s charity. Opened in 1739, the Foundling Hospital continued its work until the 1950s, and actually is still active as a non-institutional resource, under a different name. Here is a photo of it in 1935. So many similarities to ...

September 5

 I landed at Heathrow this morning at 6 am, a very inconvenient time to get a room and rest! But my student residence accommodation includes a common room with handy couches for a short snooze. The neighbourhood abuts on Regent’s Park, complete with gorgeous flowerbeds.   The Queen Mary’s rose garden in Regent’s Park. My neighbourhood wandering took me to the Wallace House which used to be one of the homes of the marquesses of Hertford.  The Hertfords were fabulously rich, mainly from extensive land holdings, and in the 18th and 19th centuries avid art collectors.  They obviously had Trumpian home decorating tastes. Here are two of their many clocks, all of which need frequent ‘fine tuning’, it appears. I particularly liked two 18th c British paintings by Sir Joshua Reynolds in their collection: Mrs Carnac and the hauntingly strange Strawberry Girl.

Fri Oct 3. Lille.

 I had a lovely day in Lille. In fact, all my days on this trip have been lovely! In the morning I went to the very large Palais des Beaux-Arts.  This museum holds the largest collection of works of art of any French institution outside Paris. The collection started at the time of the French Revolution as the works of art of the nobility and of the church were confiscated, and continued on apace due to various enthusiastic municipal governments. By 1892 the collection was so large and important that the Palais, its current house, was constructed in the centre of town. The first fun aspect was the recent work of the Swiss artist Felice Varini who used the museum’s interior as his canvas. The oldest works of art are in the ‘basement’, beautifully displayed. Look at the marvellous three dimensionality of this (flat) marble plaque sculpted by Donatello (c 1435) showing Salomé dancing for the head of John the Baptist. And modern technology brings statues alive by giving them back t...