Monday Dec 4. Brindisi.

Had a look around Monopoli before leaving - in the sunshine everything looked beautiful.

Fishermen with the castle in the background.

The Confraternity of Purgatory has taken on the mission of praying for the countless souls in limbo. This is the second one of their churches I have seen - can you see the skeletons on the doors?

The tower of the Duomo of Monopoli, completely rebuilt in 17th century baroque splendour.

In the late morning I took the train to Brindisi. A nice city, although I prefer Bari!

The top of the Roman column that signalled the end of the Via Appia which led from Rome to the east coast port of Brindisi.

Brindisi cathedral, also rebuilt in the seventeenth century.

An unusual wooden statue in the cathedral showing Saint Theodore riding to battle as a Roman soldier in the early 300s. One of the many early martyrs for his faith.

Lunch on the harbour.

Brindisi - one of the pilgrim gateways to Jerusalem. I think it was more used by the early Medieval pilgrims. The fourteenth and fifteenth century travellers tended to leave from Venice. In the evening I walked out to the ferry boat docks. These are surrounded by big warehouses and a steady stream of transport trucks headed for Greece or Albania were arriving. Quite a let down as a main Via Francigena destination!

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Sat Oct 4. London.

19 days walking on pilgrimage paths for a total of 395 km or 245 miles on foot (not that arduous - an average of 20.7 km per day, and lots of ‘rest days’ staying put in one place). All of that undone in 1.5 hours on a Eurostar train. I’m not entirely sure what conclusion I’m drawing from that comparison, but I’m back where I started, in London. On my way to my lodgings (I’m staying in a Buddhist retreat centre) I decided to visit the first visitable place to cross my path, which turned out to be the Foundling Museum. Horrified by the sight of infants being abandoned on 18th c London streets, a prosperous seaman, Thomas Coram, spent 17 years raising awareness and funds, as well as obtaining royal permission to build London’s first children’s charity. Opened in 1739, the Foundling Hospital continued its work until the 1950s, and actually is still active as a non-institutional resource, under a different name. Here is a photo of it in 1935. So many similarities to ...

Fri Oct 3. Lille.

I had a lovely day in Lille. In fact, all my days on this trip have been lovely! In the morning I went to the very large Palais des Beaux-Arts. This museum holds the largest collection of works of art of any French institution outside Paris. The collection started at the time of the French Revolution as the works of art of the nobility and of the church were confiscated, and continued on apace due to various enthusiastic municipal governments. By 1892 the collection was so large and important that the Palais, its current house, was constructed in the centre of town. The first fun aspect was the recent work of the Swiss artist Felice Varini who used the museum’s interior as his canvas. The oldest works of art are in the ‘basement’, beautifully displayed. Look at the marvellous three dimensionality of this (flat) marble plaque sculpted by Donatello (c 1435) showing Salomé dancing for the head of John the Baptist. And modern technology brings statues alive by giving them back t...

September 5

I landed at Heathrow this morning at 6 am, a very inconvenient time to get a room and rest! But my student residence accommodation includes a common room with handy couches for a short snooze. The neighbourhood abuts on Regent’s Park, complete with gorgeous flowerbeds. The Queen Mary’s rose garden in Regent’s Park. My neighbourhood wandering took me to the Wallace House which used to be one of the homes of the marquesses of Hertford. The Hertfords were fabulously rich, mainly from extensive land holdings, and in the 18th and 19th centuries avid art collectors. They obviously had Trumpian home decorating tastes. Here are two of their many clocks, all of which need frequent ‘fine tuning’, it appears. I particularly liked two 18th c British paintings by Sir Joshua Reynolds in their collection: Mrs Carnac and the hauntingly strange Strawberry Girl.

Celia Walks

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